June 6 - July 31, 2024
2024, 50in x 60in oil on canvas $10,200
June 6 - July 31, 2024
2024, 55in x 60in oil on canvas, $11,000
40in x 40in oil on canvas, $5900
65x55in oil on canvas $15200 framed
20in x 18in oil on canvas, $1900
June 6 - July 31, 2024
65in x 60in $12500 oil on canvas sold
55in x 60in oil on canvas, $11,000
June 6 - July 31, 2024
45in x 50in oil on canvas, $9100
30in x 32in oil on canvas, $3900
60in x 60in oil on canvas, $11800
65in x 60in $12500 oil on canvas sold
Back Room
14in x 12in oil on canvas, $1200
9in x 12in oil on canvas, $900
55in x 60in oil on canvas, $11000
40in x 40in oil on canvas, $5900
JEFF PETERS
BIO
A painter and illustrator, Peters’ work has been shown nationally for over two decades. In his most recent series, the artist has turned his attention to landscapes, painting them from memory, referencing childhood photographs and utilizing AI. In Peters earlier work he combined nineteenth-century German romanticism with collage art, super-flat pop art and color field painting. A recurring theme in Peters’ work is the idea of pre-conceived notions of beauty. Having been brought up in a picture-book perfect environment where any disorder was a catastrophe, the artist has grown, in his own words, “suspicious of beauty, of value and of desire.” His paintings are an attempt to reconcile his most immediate surroundings. A backyard fruit tree turns into an “overworked, overproducing glitzy starlet, with perfect, supple fruit that should be on the cover of a cosmetic package.” It begs the question: What beauty can I trust?
Born in 1975, Peters currently works out of studios in Los Angeles, CA and Laguna Beach, CA. His work is in the permanent collection of the Laguna Art Museum (Laguna Beach, CA), and has been featured at the Irvine Fine Arts Center (Irvine, CA) and the California State University’s Dominguez Hills Art Gallery (Carson, CA), among others.
CV